science

Fantastical 'celestial' rock art images by ancient painters some 5,000 years ago


‘Celestial’ rock art featuring ‘aliens’ with round horns and feathers painted 5,000 years ago were made with sophisticated scientific understanding which has stunned experts

  • Paintings show alien or heavenly figures with horns and feathers on their heads 
  • The painted depictions date back to the Bronze Age and were found in 1985
  • The artwork decorated graves at a necropolis
  • Experts claim that the red hues in the tomb drawings were made of thermally modified ocher, a clay made from Earth

Rock art images painted some 5,000 years ago during the Bronze Age were made with a sophisticated scientific understanding which has stunned experts.

Images, discovered near Karakol village in the Altai Republic in Russiashow alien figures with round horns and feathers on their heads.

The depictions in red, black and white were found in 1985 in a grave site in a remote village in Siberia have uncovered the extraordinary talent of the prehistoric artists.  

They have found that the red hues in the tomb drawings were made of thermally modified ocher, a clay made from Earth.

The white shades were made by scraping which revealed light-reflecting rock crystals, while soot was used for the black in the paintings. 

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Celestial' rock art images by ancient painters some 5,000 years ago were made with a sophisticated scientific understanding which has stunned experts. Paintings from the Altai Mountains of Siberia show alien or heavenly figures with horns and feathers on their heads

Celestial’ rock art images by ancient painters some 5,000 years ago were made with a sophisticated scientific understanding which has stunned experts. Paintings from the Altai Mountains of Siberia show alien or heavenly figures with horns and feathers on their heads

HOW DID THEY MAKE THE COLOURS? 

The red hues in the tomb drawings were made of thermally modified ocher, a clay made from Earth.

The white shades were made by scraping which revealed light-reflecting rock crystals.

Soot was used for the black in the paintings. 

 They know this because they looked at the composition of pigments, or the structure of the crystal lattice of individual grains of the dye.

Some structures are not typical for natural samples, but are the product of heat treatment.

The primitive artist heated the mineral to a certain temperature in order to get the colour he needed.

Scientists from the Kurchatov Institute in Moscow, Russia’s leading research and development centre for nuclear energy, said that the red colours that especially fascinate the experts.

It is apparent that some 5,000 years ago the tomb painters knew how to carry out a chemical reaction in order to create not just a red colour but the precise tones they desired by varying the temperature of heating.

Roman Senin, head of the synchrotron research department at Kurchatov Institute, said: ‘We determined the phased composition of pigments, that is, the structure of the crystal lattice of individual grains of the dye.

‘Some structures are not typical for natural samples, but are the product of heat treatment.

‘Simply put, the primitive artist heated the mineral to a certain temperature in order to get the colour he needed.’

Alexander Pakhunov, of Russia’s Institute of Archeology, said: ‘The results of the analysis of the composition of paints used in the funeral rite of Karakol people testify to the ability of the ancient inhabitants of Altai to distinguish pigments by colour and properties.’

The weird and wonderful depictions in red, black and white dating to the Bronze Age were found in 1985 in a remote village but now Russian nuclear scientists have uncovered the extraordinary talent of the prehistoric artists.

The weird and wonderful depictions in red, black and white dating to the Bronze Age were found in 1985 in a remote village but now Russian nuclear scientists have uncovered the extraordinary talent of the prehistoric artists.

The artwork decorated graves at a necropolis - and the same vivid colours were painted on the skulls found in the burial. Scientists from the Kurchatov Institute in Moscow have proved that the red hues in the tomb drawings were made of thermally modified ocher

The artwork decorated graves at a necropolis – and the same vivid colours were painted on the skulls found in the burial. Scientists from the Kurchatov Institute in Moscow have proved that the red hues in the tomb drawings were made of thermally modified ocher

It is apparent that some 5,000 years ago the tomb painters knew how to carry out a chemical reaction in order to create not just a red colour but the precise tones they desired by varying the temperature of heating.

It is apparent that some 5,000 years ago the tomb painters knew how to carry out a chemical reaction in order to create not just a red colour but the precise tones they desired by varying the temperature of heating.

Full results of the new study will be presented at the 43rd International Symposium on Archeometry in May 2020 in Lisbon.

It is also clear that ancient people broke off rocks on local mountains already decorated at an earlier time with petroglyphs.

These were then moved into the graves – and superimposed their own fantastical images on stone slabs which were used as the tomb walls.

‘The remains of people buried inside the stone graves were also painted with the same colours, with spots of red ocher found below eye sockets and traces of a black and silvery mineral called Specularite prominent in eyebrows area,’ reported The Siberian Times – 

The earliest images were engravings of elks, mountains goats and running people with round horns on their heads.

White shades were made by scraping which revealed light-reflecting rock crystals, while soot was used for the black in the paintings. It is the red colours that especially fascinate the experts

White shades were made by scraping which revealed light-reflecting rock crystals, while soot was used for the black in the paintings. It is the red colours that especially fascinate the experts

Full results of the new study will be presented at the 43rd International Symposium on Archeometry in May 2020 in Lisbon. It is also clear that ancient people broke off rocks on local mountains already decorated at an earlier time with petroglyphs

Full results of the new study will be presented at the 43rd International Symposium on Archeometry in May 2020 in Lisbon. It is also clear that ancient people broke off rocks on local mountains already decorated at an earlier time with petroglyphs

On top of the petroglyphs were superimposed pictures of 11 human-like figures.

The different colour tones are seen as carrying meanings to the prehistoric people.

While the funeral rites of these ancient mountain-dwellers is not yet understood, the techniques of the painters is now clear, say the scientists.

The Karakol art works date to the early and middle Bronze Age.

WHAT DO WE KNOW ABOUT BRONZE AGE BRITAIN?

The Bronze Age in Britain began around 2,000 BC and lasted for nearly 1,500 years.

It was a time when sophisticated bronze tools, pots and weapons were brought over from continental Europe.

Skulls uncovered from this period are vastly different from Stone Age skulls, which suggests this period of migration brought new ideas and new blood from overseas. 

Bronze is made from 10 per cent tin and 90 per cent copper, both of which were in abundance at the time.

Crete appears to be a centre of expansion for the bronze trade in Europe and weapons first came over from the Mycenaeans in southern Russia.

It is widely believed bronze first came to Britain with the Beaker people who lived about 4,500 years ago in the temperate zones of Europe.

They received their name from their distinctive bell-shaped beakers, decorated in horizontal zones by finely toothed stamps.

The decorated pots are almost ubiquitous across Europe, and could have been used as drinking vessels or ceremonious urns.

Believed to be originally from Spain, the Beaker folk soon spread into central and western Europe in their search for metals.

Textile production was also under way at the time and people wore wrap-around skirts, tunics and cloaks. Men were generally clean-shaven and had long hair.

The dead were cremated or buried in small cemeteries near settlements.

This period was followed by the Iron Age which started around 650 BC and finished around 43 AD.

 



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